Minggu, 28 Oktober 2012

[D622.Ebook] Fee Download Gregor Mendel: The First Geneticist, by Vít&ezslav Orel

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Gregor Mendel: The First Geneticist, by Vít&ezslav Orel

Gregor Mendel: The First Geneticist, by Vít&ezslav Orel



Gregor Mendel: The First Geneticist, by Vít&ezslav Orel

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Gregor Mendel: The First Geneticist, by Vít&ezslav Orel

Gregor Mendel: The First Geneticist presents a lively, authoritative introduction to the man who discovered the laws of heredity and pioneered the study of genetics. Written by world-renowned Mendel scholar Vitezslav Orel, the book brilliantly traces Mendel's intellectual development, focusing in particular on his 1865 plant crossing experiments that revolutionized modern science. Throughout, Orel considers Mendel's contributions and personality in the unique social context in which he flourished. He also offers fascinating accounts of Mendel's fight for recognition, and the subsequent misuse of his theories by the Soviets and Nazis. Gregor Mendel offers the definitive systematic account of the great scientist's life and work. It will be enjoyed by interested general readers as well as students and researchers in biology and science history.

  • Sales Rank: #3208445 in Books
  • Published on: 1996-07-25
  • Ingredients: Example Ingredients
  • Original language: Czech
  • Number of items: 1
  • Dimensions: 9.50" h x 1.02" w x 6.38" l,
  • Binding: Hardcover
  • 376 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very satisfied.
By Mark A.
Book is in great shape, very good price and shipping was decent.

1 of 1 people found the following review helpful.
A wholesmome book about Gregor Mendel
By Rajalakshmi Gope
There are a lot of stories about Mendel and how he discovered the heredity. This book by Orel clears all the doubts. Mendel was a great philosopher, his experiments were well planned and he had a clear understanding about what he was doing. It appears that he observed the segregation of characters very carefully and selected the seven characters and the pea plant for his experiments. He was also a great plant biologists and a bio statistician. I believe that he repeated the experiments several times to formulate the laws of inheritance. It is sad that the scientists during that period failed to understand the significance of his findings and refused to honor him with due credit. A great book for all geneticists and biologists who want to know about the history of Mendelian theory of inheritance.

3 of 4 people found the following review helpful.
Excellent Nothing but the facts!
By A Customer
This book told everything from start to finish! It never twisted the truth! I f only more books were done like this.

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Sabtu, 27 Oktober 2012

[E860.Ebook] PDF Download Code Name Verity, by Elizabeth Wein

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Code Name Verity, by Elizabeth Wein

Oct. 11th, 1943-A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun.

When "Verity" is arrested by the Gestapo, she's sure she doesn't stand a chance. As a secret agent captured in enemy territory, she's living a spy's worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution.

As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy?

A Michael L. Printz Award Honor book that was called "a fiendishly-plotted mind game of a novel" in The New York Times, Code Name Verity is a visceral read of danger, resolve, and survival that shows just how far true friends will go to save each other.

  • Sales Rank: #8131 in Books
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .90 pounds
  • Binding: Paperback
  • 368 pages

Amazon.com Review
Amazon Best Teen Books of the Month, May 2012: Rich in historical detail and intrigue, Code Name Verity is a vivid reminder of what makes historical fiction so compelling. In exchange for a temporary stay of execution and lesser forms of torture, a young female spy captured in Nazi-occupied France writes a confession of her activities in the Resistance. Her story is that of two women who should never have crossed paths, yet were destined to become the best of friends and embark upon the covert mission that would determine which of them would live or die. Courage born of friendship, fierce hope, and surprising ironies abound in this spell-binding novel that will appeal to teens and adult readers alike.--Seira Wilson

Review
Shortlisted for the Carnegie Medal

“Between this and her follow-up, Rose Under Fire, Wein is revealing herself to be a new master of young adult historical fiction. . . . Filled with twists and turns, Code Name Verity is not for the faint of heart.”
—Rolling Stone

“This heart-in-your-mouth adventure has it all: a complex plot, a vivid sense of place and time, and resonant themes of friendship and courage. Practical Maddie and mischievous Julie are brought to life through their vibrant narrative voices and intriguing backstories . . . In this powerful work of historical fiction, Julie and Maddie need never fear ‘flying alone’; the reader will soar with them until the final page.”
—The Washington Post
 
“Young people will enjoy this Second World War spy story, no doubt, but its appeal is much wider. It's a beautiful thriller about friendship, courage and daring at a desperate time.”
—The StarPhoenix
 
“Moving back in time, rather than forward, Code Name Verity by Elizabeth Wein is an original, cleverly written Second World War story about spies, torture, women pilots, friendship and the horror of war.”
—The Independent

“A carefully researched, precisely written tour de force; unforgettable and wrenching.”
—Kirkus Reviews (starred review)
 
“[Code Name Verity] is outstanding in all its features—its warm, ebullient characterization; its engagement with historical facts; its ingenious plot and dramatic suspense; and its intelligent, vivid writing.”
—The Horn Book (starred review)

“A fiendishly plotted mind game of a novel.”
—The New York Times Book Review

“If you pick up this book, it will be some time before you put your dog-eared, tear-stained copy back down. Wein succeeds on three fronts: historical verisimilitude, gut-wrenching mystery, and a first-person voice of such confidence and flair that the protagonist might become a classic character. . . . Both crushingly sad and hugely inspirational, this plausible, unsentimental novel will thoroughly move even the most cynical of readers.”
—Booklist Online (American Library Association)

“This book is written in a brilliant way. . . . Elizabeth Wein makes it always be believable and realistic as it is from the point of view of a young woman. . . . By the end, I was sobbing. . . . I would rate it a 10/10, for being so amazing and intriguing. . . . I think everyone should read this incredible and heart wrenching story of two girls.”
— The Guardian (UK)

“Everyone should read this book. Everyone, everyone, everyone. . . . It will, in certain moments, emotionally destroy you, put you back together again, and leave you slightly unable to function as a person after you’ve finished it. But in a good way. In the sort of way where you’re really glad you read it, and want everyone you know to read it as well. . . . It is unlike anything I have ever read, full of pain and bravery and friendship. . . . Run to the bookstore right now.”
—Feminist Fiction

 “This book enthralled me from the opening words. . . . What a fabulous book. Made up of equal parts Nancy Drew, Girl Scout and Steve McQueen, these girls show just how much they took on, and how much they were capable of doing, during the war while the men were away. . . . The layers run deep. . . . Suffice it to say that if you are a fan of intrigue, war and strong females. . . you will not be disappointed.”
—Ink and Page

About the Author
Elizabeth Wein (www.elizabethwein.com) was born in New York City, grew up abroad, and currently lives in Scotland with her husband and two children. She is an avid flyer of small planes. She also holds a PhD in Folklore from the University of Pennsylvania.

Most helpful customer reviews

177 of 193 people found the following review helpful.
One of the most powerful books I've read
By Gretchen @ My Life is a Notebook
This review is of an ARC received from NetGalley.

There are few books that leave me speechless.

This would be one of them.

I'll admit, I had my reservations in the beginning. The narrator RAMBLES like whoa. I mean, I was reading on a screen and I saw pages taken up by just two paragraphs and I thought "Swell, this is just going and going and I'm going to be bored to tears."

I wasn't. Not by a long shot.

Usually, if the narrator rambles, I get bored and lose interest. Not here. Sometimes I feel like narrators in YA lack a distinct voice, but-again-not here. Verity HAS VOICE. Verity HAS PRESENCE. Despite the fact that she tells her story from Maddie's point of view, talking about herself in the first person, I felt like I was seeing into Verity's soul. There was no doubt in my mind about the voice that was just flying off the pages, talking to my heart. She not only managed to win me over despite rambling, but also despite talking about herself in the third person, which is huge. (The third person thing makes sense later, but I can't say anything about that!)

Plus, I was expecting a pretty dark, dramatic book. It is both of those things, but imagine my surprise when I found myself laughing out loud multiple times while I was reading. While Verity is being held by the Gestapo. I was laughing. That's how spectacular Verity is. That's how strong she is. That's what this book is like.

I'd also like to give a brief shout out on a very touchy subject. Not only is Verity a rounded person, but the German Officer who interrogates her is also a rounded character. He isn't this mindless drone, which I found very refreshing and made the book even more real. It would have been so, so easy to stereotype this guy, but Wein didn't. She MADE IT REAL.

You have no idea how hard it is not to comment on the second half of the book. I literally don't know how to write about that. I'll admit, personally here I found the voice weaker and several things too rushed, but at the same time I can't imagine certain events having differently, not if they still wanted to be real. The ending is very bittersweet, so I suppose my mixed feelings are supposed to be there.

And trust me, all of my feelings are there.

I could get technical. I could. I could talk for ages about the rambling, the technicalities, and the story tangents that don't make sense til the second half of the book. With any other book, I would. But with this one, I just can't. Code Name Verity was just one of those books.

A good book is fun to read. A good book takes you to a new place for a time, but then you put it down and you go on with your life. Code Name Verity was not a good book.

Code Name Verity was a great book.

It was the kind of book with images, words and ideas that get under your skin. The kind of story that melts into your heart. It was an experience that is with you long after you've closed the book. THAT is the kind of story that comes with Code Name Verity.

51 of 56 people found the following review helpful.
One of the great war books
By H Waterhouse
Oh. My.

When you read enough reviews that refuse to talk about the plot, you know there is a twist coming, but the twist ended up being other than what I expected, so thank you previous reviewers.

The VOICE in this book! The voiceS. I was riveted all through the book by how vivid and rich the conversations were. There are 24 highlights in this book, which is about double my usual rate, because I couldn't let phrases like
"You ignorant Quisling bastard, SS-Scharführer Etienne Thibaut, I AM SCOTTISH."
and
"Oh my sainted aunt! unlimited visibility! unlimited visibility except for the dirty great city in the northwest! That would be the dirty great city surrounded at 3000 feet by a few hundred silver hydrogen balloons as big as buses! How in the name of mud is he going to find Berlin if he can't find Manchester?"

Anyway, it's a war book. It's like many other war books for young readers, about the inhumanity of war and the humanity of the individuals writing it, and how jarring it is to try to understand all that together. I would unhesitatingly give this book to a middle-schooler. There is violence, but it is mostly by reference, and there is fear, the book is thick with it, but each of the main characters makes a list of things she is afraid of, and both of them include Failing Other People. I love books that are about being equally scared of dying and failing.

Fascinatingly, this is an entirely aromantic book. It's like everyone is so busy staying alive/fighting Nazis that they have all the mate-finding and sexual pursuit burned out of them. Except for one creepy handsy character, which I thought was a fascinating and unnecessary inclusion, but it models how to handle someone sexually pushy without becoming completely unhistorical. It makes the book more complicated and richer.
I suppose all he wanted was a kiss and a cuddle. He backed off looking deeply injured and left me feeling guilty and dirty and prudish all at once. Yes! That's what it feels like. And we should be saying so.

Read if: You have previously liked Elizabeth Wein books, you read /Escape from Colditz/ obsessively as a child, you wish you were clever and brave. You love stories about unlikely friends who push each other to be better. You like books with extensive bibliographies and references to English literature. (yes, this book was obviously written exactly for me. My point is that it may be exactly for you, too.)

Skip if: historically-accurate references to torture, execution, and the general misery of occupied France are going to be a problem for you.

Also read: Escape from Colditz;: The two classic escape stories: The Colditz story, and Men of Colditz. Rifles for Watie.

Final note: This book is way too absorbing to put down easily. It's not long, but allocate some undisturbed time for it.

52 of 63 people found the following review helpful.
I liked it, but I wanted to LOVE it
By Amy T
Crap, friends. CRAP. This is one of those reviews that I have dreaded writing for a long while. I finished CODE NAME VERITY by Elizabeth Wein nearly two months ago, and I've just sat down to write my review now. It's hard for me, sometimes, to gather the stones to tell you all that I didn't really like a book that is almost universally adored and that is, sadly, the situation I find myself in now. CODE NAME VERITY is so highly touted and so glowingly reviewed not only by the big trade magazines but by other bloggers and friends whose opinions matter to me that I wish I could say that perhaps my feelings towards Elizabeth Wein`s book are the product of my mood when I read it or some other excuse. Alas. My feelings of disappointment in CODE NAME VERITY are pretty real. I don't think I need to tell you how much that bums me out, but I will anyway: THIS IS A HUGE BUMMER. If it wasn't for the ending-say, the last 100 pages or so-I wouldn't even be able to tell you that I only LIKED CODE NAME VERITY, which I did. Like, but not love. Not really even close. Let's talk it out.

So, as you might already know, CODE NAME VERITY is the story of two young British girls during WWII who become involved with the Women's Auxiliary Air Force, one as a spy and the other as a pilot. One of the girls, Verity, does more of the spy thing and Maddie more of the flying thing. They develop a close friendship over the course of some time, so that when Verity and Maddie's plane crashes over France and Verity is taken prisoner, Maddie is distraught and eager to find her friend once she realizes what has happened to her. Meanwhile, Verity is in a Gestapo-run prison trying to barter for her life with secrets about British planes and airfields and any other juicy tidbits she might know. As the story comes to its conclusion, a THING of TREMENDOUS, EPIC THINGYNESS happens and Elizabeth Wein`s story fairly barrels to its conclusion. (Thankfully.)

I know that this all probably sounds great to you. And I suppose in some ways it is. We get great glimpses into the historical role of women in the war effort, and a story of friendship. But CODE NAME VERITY is split into two parts-the first is made up of Verity's "reports" that she is providing to the Gestapo in exchange for her life, and they are without a doubt some of the very dullest passages I've read in a really long time. There's lots of technical airplane talk that I understood not at all and, quite frankly, nothing very exciting that happens. I truly lost count of the number of times I almost put the book down. We see, through Verity's reports, the growing friendship between the two girls, and we get some sense of Verity's captors and her prison (both awful). It was all largely boring to me.

The one exception to that is Verity's voice. It had this great cavalier quality to it, and a sense of humor and irony that I was glad she could muster considering her surroundings. I admired her pluck greatly and often wished she wasn't telling stories of mind-numbing dullness because I got a sense that she would've had a real knack for yarns. She also had this really intriguing way of giving a bunch of information in great detail and then saying things like, "Oh well, you know, I hope you don't really think that I could've remembered all of this stuff, do you?" I did really enjoy her unreliability that way. If that was missing, I'm almost 99% positive that I would have put CODE NAME VERITY down.

Which would have been a little bit of a shame, because part 2, the end of the story from Maddie's point of view, was much more my speed in more ways than the literal one. It begins just a little bit before the THING THAT HAPPENS, and it was generally more interesting to me. The plot at that point is unfurling apace and we are learning things-really incredible, mind-blowing things-about Verity. If the entirety of CODE NAME VERITY had been more like the second part, two things would have happened, and herein lies the central issue of this book for me: One, I would have liked it more. But two, the book wouldn't have been nearly as gripping at the end, and it wouldn't have been such a feat of story-telling by Elizabeth Wein. It's a catch-22 of the worst kind. I just had no patience or fondness, really, for the setup. ALAS FOREVER.

I'm sure that if you've heard anything about CODE NAME VERITY already, it's these three things: It's AMAZING, I sobbed until I drowned myself in my own tears, and "KISS ME, HARDY!" The truth about my reading of this book is that, even though I now know what all the "KISS ME, HARDY!" is about, I have to tell you that I did not cry. At all. I didn't even well up. This is a pretty big deal for me because I cry easily and often about anything and nothing, and the THING? It's a pretty enormous, emotional THING, and I didn't really have any emotions about it more than, "Wow. That's a pretty big THING!...*crickets*" EEP!

If I can share just one more thing with you all before I wrap up and go hide myself from other readers' death glares, it would be this: I get completely that we are meant to understand that the girls are forever bffs, and that they become very close, important friends to one another. So perhaps this is because I was only mildly interested in what was going on for the first two-thirds of CODE NAME VERITY and so it escaped my notice, but I felt like I missed the development of their friendship somehow, and so when things happen later in the story, I was kind of at a loss. Writing that paragraph just made me nauseous.

Friends, I can't even tell you how high my expectations were for CODE NAME VERITY by Elizabeth Wein, which was likely part of my problem going in. Seriously, the number of five-star reviews for this book from among my Goodreads friends is STAGGERING! I see people tweeting all over the place about "KISS ME, HARDY!" and then devolving into internet-tears! People say that CODE NAME VERITY is their favorite book ever, the most special book they've ever read, one of the best, most touching, most beautiful. I couldn't count myself in that number. I kept waiting for it to get better for me. Not liking this book makes me feel like a tool, and it was certainly a book that I'm glad I read, but I just don't think it was meant to be between us. I will most definitely be reading the companion book, ROSE UNDER FIRE, though, because I recognize an excellent storyteller when I see one, and Elizabeth Wein is surely one.

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Kamis, 25 Oktober 2012

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Microprocessor & its Applications, by P.Rizwan Ahmed

  • Published on: 2013
  • Binding: Paperback

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Rabu, 24 Oktober 2012

[G708.Ebook] Ebook Free The User's Journey: Storymapping Products That People Love, by Donna Lichaw, Eva Lotta-Lamm

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The User's Journey: Storymapping Products That People Love, by Donna Lichaw, Eva Lotta-Lamm

Like a good story, successful design is a series of engaging moments structured over time. The User’s Journey will show you how, when, and why to use narrative structure, technique, and principles to ideate, craft, and test a cohesive vision for an engaging outcome. See how a “story first” approach can transform your product, feature, landing page, flow, campaign, content, or product strategy.

  • Sales Rank: #23144 in eBooks
  • Published on: 2016-03-22
  • Released on: 2016-03-22
  • Format: Kindle eBook

Review
Lichaw delivers a creative, common-sense design method that simply works, no experience necessary. This book belongs on every experience designer s desk. --Kristina Halvorson, Author, Content Strategy

You’ve heard the term storymapping before. In this detailed, tactical, and delightfully illustrated book, Donna Lichaw takes a different spin on how to bring the story of your product to life. Drawing from her days as a screenwriter, Lichaw deconstructs products into the stories they tell their users. Citing example after example from popular digital tools, Lichaw clearly illustrates how to bring the customer through various points of engagement, highs, lows and finally moments of delight. And how to do it using only Post-its and markers. If you re working through customer journeys, experience mapping, and other ways to coalesce your team around your product s story, The User’s Journey offers a fun, interactive way to build that narrative collaboratively to achieve great results. --Jeff Gothelf, Author, Lean UX

No one knows how to apply storytelling to designing compelling, successful products better than Donna Lichaw. The User’s Journey should be dog-eared, highlighted, and shared with everyone on the product management, design, commercial, and even development teams to know why and how story is critical to create innovative, useful, delightful products. --Chris Avore, Global Head of Product Design, Nasdaq

About the Author
Donna Lichaw guides startups, non-profits, and global brands in optimizing their digital products and services by providing them with a simplified way to drive user engagement through impactful storytelling. As a consultant, speaker, writer, and educator, she utilizes a 'story first' approach to help teams define their value proposition, transform their thinking, and better engage with their core customers.  Recognized as a thought leader in storytelling and customer engagement strategies, she has presented as a keynote speaker at design and technology conferences in the US, Canada and Europe, and taught courses at New York University, Northwestern University, The School of Visual Arts, and Parsons the New School for Design. You can find her on the web at donnalichaw.com and on twitter @dlichaw.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Make Your Message Memorable
By J. Sun
In our every day lives, we are consumed with sending and receiving messages whether written or verbal. Can we honestly remember everything that’s been pitched to us during the course of a week? The problem with retaining most of the messages we receive is that they aren’t memorable. Donna Lichaw’s, The User’s Journey, teaches its readers to make your message interesting and memorable.

I have found this book helpful in learning the importance of a narrative. When we speak, when we present to a client, or when we write a proposal, having a story with a strong narrative makes it a more memorable experience than just presenting cold hard facts.

While the synopsis on Amazon presents this as a book for product designers, The User’s Journey actually takes an approach to teaching its methods that’s not as esoteric as one might think. In fact, The User’s Journey can be applied to a much broader audience. Whether you’re a writer, a business owner, a designer, a consultant, a strategist, a teacher, or just someone who has to make a presentation, there are many different ways of applying what Lichaw has to share in her book.

You may have the most ingenious idea, the best research, the best service, or the best product, but without presenting a strong narrative and a story people can remember and relate to, your efforts may be overlooked.

6 of 6 people found the following review helpful.
Actionable Approach to Using Story for Product Strategy
By Christina Wodtke
I've read a LOT of books on Story, and while they are great for writing books or giving presentations, they never made sense for designing great products. This book changed that.
Lichaw explains story succinctly and clearly, then shows how to use it to build the right product and make the users the hero of her own story.
Also, delightful art!

4 of 4 people found the following review helpful.
A valuable framework - highly recommended
By Jenn J
I work with companies to help them define their message, and I've already found this book to be a valuable tool. Donna explains how to use the simple, yet powerful structure of a story to identify what is compelling about a product or service or company - and why it matters to people.

The simplicity of the method is key - you don't have to have special software or advanced design skills or anything of that sort to start using it right away. If you can draw a line, you're good to go.

It's a great resource for people who work in communications, product design, and/or user experience. You'll get a smart, flexible framework that makes it well worth the purchase.

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Kamis, 18 Oktober 2012

[R181.Ebook] Download Ebook Born to Boogie: The Songwriting of Marc Bolan, by Carl Ewens

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Born to Boogie: The Songwriting of Marc Bolan, by Carl Ewens

Marc Bolan's mind was unusual in the extreme and the sound of his music was equally unique and extraordinary.What was the inspiration behind the peculiar musical avenues Bolan explored with first his far-out hippy folk-duo Tyrannosaurus Rex, and later the irresistible boogie-machine known as T.Rex?

  • Sales Rank: #1120945 in Books
  • Published on: 2007-03-19
  • Original language: English
  • Binding: Hardcover
  • 224 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
The songs remain the same....
By 64Born
This is pure anorak territory for avid Bolan/TRex fans and i guess i don't fall into that category. I was anticipating slightly more focus on Marc the man rather than a song-by-song analysis. Of course the clue is in the title but still i was hoping for more of an insight to the workings of Marc's mind and attitude towards band members which was notoriously harsh on occasion.

If you live and breath Bolan's music then you will love this; it is extremely well researched and very thorough. Definitely worth a punt if you're that way inclined.

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Senin, 15 Oktober 2012

[B203.Ebook] PDF Download The Globalizers: The IMF, the World Bank, and Their Borrowers (Cornell Studies in Money), by Ngaire Woods

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The Globalizers: The IMF, the World Bank, and Their Borrowers (Cornell Studies in Money), by Ngaire Woods

"The IMF and the World Bank have integrated a large number of countries into the world economy by requiring governments to open up to global trade, investment, and capital. They have not done this out of pure economic zeal. Politics and their own rules and habits explain much of why they have presented globalization as a solution to challenges they have faced in the world economy."―from the Introduction

The greatest success of the International Monetary Fund and the World Bank has been as globalizers. But at whose cost? Would borrowing countries be better off without the IMF and World Bank? This book takes readers inside these institutions and the governments they work with. Ngaire Woods brilliantly decodes what they do and why they do it, using original research, extensive interviews carried out across many countries and institutions, and scholarship from the fields of economics, law, and politics.

The Globalizers focuses on both the political context of IMF and World Bank actions and their impact on the countries in which they intervene. After describing the important debates between U.S. planners and the Allies in the 1944 foundation at Bretton Woods, she analyzes understandings of their missions over the last quarter century. She traces the impact of the Bank and the Fund in the recent economic history of Mexico, of post-Soviet Russia, and in the independent states of Africa. Woods concludes by proposing a range of reforms that would make the World Bank and the IMF more effective, equitable, and just.

  • Sales Rank: #574895 in Books
  • Published on: 2007-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x .64" w x 6.34" l, .85 pounds
  • Binding: Paperback
  • 264 pages

Review

"After World War II, the winning powers created the IMF, to bring stability to the international monetary system, and the World Bank, to channel investment into development and reconstruction projects. Woods examines both institutions and how they have preformed these roles in regard to underdeveloped borrower nations. She chronicles the involvement of the IMF and the World Bank with Mexico, Russia, and sub-Saharan Africa. In a very balanced analysis, she shows that both institutions have failed in many instances to improve the lot of such countries, too often promoting policies to please their powerful shareholder nations such as the United States while failing to understand and deal with the special needs of borrower nations. She concludes by recommending six reforms for the two institutions to make them more open and equitable in their advertising and lending."―Library Journal



"Perhaps mirroring public debate on the issue, scholarship on the role of the IMF and the World Bank in economic development has often treated these institutions as mere conduits of U.S. interest. In The Globalizers, Ngaire Woods seeks to amend this perception, offering a rich account of their activities that emphasizes the inner workings of these institutions and their negotiations with policymakers in developing countries. As such, The Globalizers provides an invaluable look at the processes that shape the IMF and World Bank's role in the global economy."―International Studies Review



"No other book provides such an elegant introduction to the principal lending operations of both the IMF and the World Bank. With exceptional clarity and grace, Ngaire Woods strikes a balance between analysis and constructive criticism. Her portrait of the contemporary evolution of the policies and practices of the IMF and World Bank seamlessly integrates an impressive range of research and journalistic coverage."―Louis W. Pauly, Director, Centre for International Studies, University of Toronto, author of Who Elected the Bankers?



"The Globalizers is an outstanding study of the relationships among the IMF, the World Bank, and their clients. Ngaire Woods presents rich empirical stories and strong analytical insights into the role and mission of these institutions and their relationships. This is a book for those with genuinely open minds about this most complex of subjects."―Richard Higgott, University of Warwick, coeditor of Global Governance

From the Back Cover
"No other book provides such an elegant introduction to the principal lending operations of both the IMF and the World Bank. With exceptional clarity and grace, Ngaire Woods strikes a balance between analysis and constructive criticism. Her portrait of the contemporary evolution of the policies and practices of the IMF and World Bank seamlessly integrates an impressive range of research and journalistic coverage."--Louis W. Pauly, Director, Centre for International Studies, University of Toronto, author of Who Elected the Bankers?: Surveillance and Control in the World Economy

''The Globalizers is an outstanding study of the relationships among the IMF, the World Bank, and their clients. Ngaire Woods presents rich empirical stories and strong analytical insights into the role and mission of these institutions and their relationships. This is a book for those with genuinely open minds about this most complex of subjects.''-Richard Higgott, University of Warwick, coeditor of Global Governance

"In the new global economy, do the IMF and the World Bank matter anymore? If so, why? Here is vital reading for scholars and practitioners of aid and development on what these institutions do and are meant to do, in addition to what's wrong and what's right about them today. Ngaire Woods is a careful scholar, calling on history, economics, politics, and law, as well as her own extensive interviews, to build a balanced yet compelling case for their reconstitution and revitalization. Anyone interested in what globalization is about should not miss her riveting tales of these global institutions' troubles and small victories in Mexico, Russia, and Africa."--Nancy Birdsall, President, Center for Global Development

About the Author
Ngaire Woods is a Tenured Fellow at University College, Oxford, and Director of the Global Economic Governance Programme at Oxford University. She is the editor of The Political Economy of Globalization and Explaining International Relations since 1945 and the coeditor of Inequality, Globalization, and World Politics.

Most helpful customer reviews

1 of 2 people found the following review helpful.
This is what I was looking for.
By Amanda F. Renshaw
It appears to be a recent review of what the IMF and World Bank do, who influences it, what countries are involved in borrowing, and for what purpose.

0 of 0 people found the following review helpful.
Five Stars
By JaVon
Great book. Covers the basics!

0 of 0 people found the following review helpful.
Non-fiction
By Stephanie
Useful book.

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Rabu, 03 Oktober 2012

[B439.Ebook] PDF Download The Boy Who Lost Fairyland (Turtleback School & Library Binding Edition), by Catherynne M. Valente

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The Boy Who Lost Fairyland (Turtleback School & Library Binding Edition), by Catherynne M. Valente

FOR USE IN SCHOOLS AND LIBRARIES ONLY. When a young troll named Hawthorn is stolen from Fairyland by the Golden Wind, he becomes a changeling in a place no less bizarre than Fairyland in his eyes.

  • Published on: 2011-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x .90" w x 5.40" l,
  • Binding: Library Binding
  • 235 pages

From School Library Journal
Gr 5–8—In this fourth book in the fantastical series, a young troll named Hawthorn is stolen away by the Golden Wind and brought to live in Chicago as a changeling. When he turns 12, he finds a way back to Fairyland, a place now much changed from the magical realm he left. Fans of the series may be initially disappointed to discover that September makes only a brief appearance, but not to worry—Hawthorn's tale is just as compelling and his adventures just as extraordinary. Both the human and magical worlds are brought to vivid life through the young changelings' unique perspective. While readers unfamiliar with the series can certainly jump in with this novel, most will want to start at the beginning. A phenomenal fantasy series worthy of a spot in every library collection.

Review

Valente's Fairyland is as bizarre and beautiful as ever, with a Wonderland-like un-logic that will keep readers both delighted and slightly off-balance. "The Horn Book for The Boy Who Lost Fairyland"

Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as people have been arguing about Oz. "Kirkus Reviews, starred review, for The Boy Who Lost Fairyland"

A glorious balancing act between modernism and the Victorian Fairy Tale, done with heart and wisdom. "Neil Gaiman, Newbery Award-winning author of The Graveyard Book, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

September is a clever, fun, stronghearted addition to the ranks of bold, adventurous girls. Valente's subversive storytelling is sheer magic. "Tamora Pierce, author of The Immortals series, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

A mad, toothsome romp of a fairy tale--full of oddments, whimsy, and joy. "Holly Black, author of the Spiderwick Chronicles, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

When I say that this book reminds me simultaneously of E. Nesbit, James Thurber, and the late Eva Ibbotson, I don't mean to take anything awy from its astonishing originality. It's a charmer from the first page, managing the remarkable parlay of being at once ridiculously funny and surprisingly suspenseful. Catherynne Valente is a find, at any age! "Peter S. Beagle, author of The Last Unicorn, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

This is a kind of "The Wonderful Wizard of Oz" by way of "Alice's Adventures in Wonderland"--it's the sort of book one doesn't want to end. "Publishers Weekly, starred review, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

[Fairyland creates] a world as bizarre and enchanting as any Wonderland or Oz and a heroine as curious, resourceful and brave as any Alice or Dorothy. Complex, rich and memorable. "Kirkus Reviews, starred review, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

This book is quite simply a gold mine. "Booklist, starred review, for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

Amusing, wrenching, and thought-provoking. "The Horn Book for The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making"

A phenomenal fantasy series worthy of a spot in every library collection. "School Library Journal for The Boy Who Lost Fairyland""

About the Author

CATHERYNNE M. VALENTE is the author of over a dozen books of fiction and poetry, and is best-known for her urban speculative fiction, including "Palimpsest "(winner of the 2010 Lambda Award), and "The Orphan's Tales: In the Night Garden."" The Boy Who Lost Fairyland," her first novel for young readers, was posted online in 2009 and won the Andre Norton Award-the first book to ever win before traditional publication. Cat Valente lives on an island off the coast of Maine with her partner, two dogs, and an enormous cat.

ANA JUAN is a world-renowned illustrator known in this country for her wonderful covers for the New Yorker magazine, as well as the children's books "The Night Eater," and "Frida," written by Jonah Winter. She lives in Spain.

Most helpful customer reviews

8 of 8 people found the following review helpful.
second in a row in this series that's disappointed, weak three
By B. Capossere
The Boy Who Lost Fairyland is the fourth in the FAIRYLAND series by Catherynne M. Valente, and the second in a row that has been somewhat of a disappointment and the first whose strengths I thought were not enough to fully overcome its flaws.

Valente takes a bit of a risk here in book four, shifting focus from her primary protagonist, September and her friends, to a whole new cast of characters. The titular “boy” of the book is Hawthorn, a young troll scooped up by the Red Wind and dropped off in our world as a changeling, where he lives as a “Not Normal” boy for some years before encountering Tam, another changeling. Eventually, the two of them realize their true selves and make their way back to Fairyland, and it is there that their story will intersect with September’s, although not until the very end.

To begin with the positives, Valente’s trademark whimsy and linguistic/creative ingenuity are on their usual full display here, as we are treated to a host of wholly original creations: a Sunday Dinner tree, a walking/talking gramophone, albino moose with barbed tails, “a cutlass named Hush, a ship made of jester’s caps, and … twenty levitating hyenas who couldn’t say the word yes as they’d been cursed by the Khan of Zebras.”

Even better though, then her inventive descriptions of Fairyland is how Valente takes our mundane world and, by showing it through the eyes of the young Hawthorn (now named Tom in his human form), turns it into a fairyland filled with its own fantastical actions and objects, as when he thinks of his mother’s special brand of magic:

She could make music come out of a great brass thing in the parlor that looked like a horn of plenty but wasn’t one. She could make blue fire roar out of the stovetop anytime she pleased. She could make hot milk or cocoa or caramel or porridge appear inside a silver saucepan — he never knew which it would be … [she] would lay her finger alongside her nose, and then tap his, and say: “Magic!” … “ Gwendolyn said it when she produced a new toy that he hadn’t seen her making …when she made all the lights come on at once with one touch of her little finger to the wall or when his wooden train carriages went spinning around their wooden track with no one touching them.

Climbing into the head of this new-to-our-world outsider (aren’t all children this?), Valente makes us see the wonders of the world around us in a new, well, magical light.

Another plus is how despite the above magical description, she does not shy away at all from painting Tom’s experiences in this world in a darker, much more sad light. He does not, after all, fully belong here (don’t all children sometimes feel this?) and he unconsciously takes out this feeling on the things around him, and so “The childhood of Thomas Rood was full of broken things.” He tears down curtains, takes a hammer to the flagstone path, tears apart stuffy animals, “weep [s] in fits of frustration.” All because “All his life he had known that something was wrong. It was only that he did not know what it was. He felt all the time as though there were another boy inside him, a bigger boy … a boy who knew impossible things … But whenever he tried to let that boy out, he was only Thomas, red-faced, sputtering, gangly, clench-fist Thomas.”

Valente has never been one to sugar coat her worlds, even (perhaps especially) in her books aimed as much at children as adults, and much of this is truly painful: his father’s disappointed acknowledgment that Thomas was “Not Normal,” his acting-out of his frustrations, his “Rules of the World”, a list of behaviors and knowledge he must write down and teach himself even though “Other children understood them easily. Normal Children.”

But despite the moving sections on Tom’s frustrations and the general fecundity of Valente’s imagination, as mentioned, the book was mostly a disappointment for me. One reason is that all those rich, fertile inventions of fairies and places and strange animals and pencil magic and trees and post offices and special shoes and and and felt early on to be more of a exhaustive catalog of “neat strange things” than part of the narrative. It was not far into the book before I was telling myself, “Not everything needs to be list” —a list of metaphors, of images, of cool creatures, etc. It all felt overly manic. The nearest analogy I can come up with is how some sci-fi/fantasy movies will throw in a bunch of special effects because they can, but those effects do not serve plot or character or tone; they’re just neat effects.

Another issue I had was that save for the early section in Tom’s youth, I just didn’t find these characters particularly engaging or interesting. I had the same response to September in the earlier books, but those books’ strengths greatly outweighed that reaction. Here, there wasn’t enough to overcome the problem. One reason is that the plot as well was not all that compelling, feeling a bit scattered, episodic, and with the main characters sort of meandering around and reacting to encounters, some of which seemed to mostly become a reason for another catalog of neat ideas/names. Pacing was an issue, with the story slowing down in several places, and really for the first time in this series, I struggled with continuing on, putting the book down several times and picking it back up with little enthusiasm to finish, despite its relative brevity (just over 200 pages). Finally, while the other books have always been layered in terms of their audience, offering up rich opportunities for both adults and children, here that balance seemed slightly off.

The Boy Who Lost Fairyland has its moments, and one can’t help but marvel at Valente’s inventiveness. But problems that have always lain below the surface in earlier books here rise to a more noticeable level and have a more deleterious effect on the reading experience, leaving me to wonder if perhaps my time in Fairyland is coming to a close, whether the series does or not.
(original review on fantasyliterature.com)

3 of 3 people found the following review helpful.
Beautifully written and incredibly creative!
By Karissa Eckert
This is the fourth book in the The Girl Who/Fairyland series by Valente. It was beautifully written in absolutely magical prose. I love Valente's writing style. This is a book to be read slowly and savoured. This series is supposed to wrap-up with the fifth book in the series, The Girl Who Raced Fairyland All the Way Home, which is set to release in March of 2016.

This book takes a detour from September’s story and instead we follow a young troll named Hawthrone who is changed with a human baby and grows up as a very different type of young boy in a human family. Eventually he meets a girl named Tamerlaine and they find out that they are not human at all but from Fairy. They end up journeying to Fairyland and in the end their story just might have some rather large implications for September as well.

Although this book is a detour from the main story featuring September it does end up tying into her story in an interesting way. I enjoyed it, although with all of this series, this is a book to be read slowly and savoured. There is a lot of wonderful, sparkling description that I absolutely love, but it’s not something you can read quickly.

Valente has a very distinct writing style; it’s a bit ambiguous, very prose-like, incredibly creative, and full of amazing imagery. I absolutely adore her writing style, but it is something I only read occasionally because it does require some effort to read.

I absolutely loved reading about a troll who thinks he is a boy; while he’s a fairly normal troll he is very unusual for a boy and being raised as a boy is tough on him. I loved the character of Hawthrone and how he struggles to be “normal” and his relief when he finds out he isn’t normal. I think a lot of people who are a bit different will be able to relate to the everyday human struggle to seem “normal”.

There is a lot of humor in this book too; Hawthorne’s list of strange human rules is especially witty and hilarious. A lot of the things that happen throughout the story are very tongue in cheek.

Overall I adored this latest installment in this wonderfully creative fantasy series. The writing is absolutely stunning with beautiful prose and incredibly creative imagery. I was nervous about detouring from September’s story at first, but I shouldn’t have been. Hawthorne’s story is just as engaging and interesting as September’s has been. If you love wildly creative fantasy and beautiful prose-like writing I definitely recommend this whole series to you.

1 of 1 people found the following review helpful.
Kristi's Book Nook via CLCD
By Kristi Bernard
Hawthorne is a troll. He just had a birthday and turned one year old. Trolls, at this early age, can speak quickly and Hawthorn was already as tall as a table. He was off on an adventure to a new home with a red panther called Red Wind. He couldn’t resist because he loved all things red. But, he must learn some very important rules. First, he could not use magic. Second, the practice of physicks was forbidden. Third, aviary locomotion was permitted only by means of balloon or licensed aeroplane. According to Red Wind, when Hawthorn ate human food he would become mortal and would never be able to return to Fairyland. He was chosen for the Changeling life which is a human child exchanged for a fairy child. Hawthorn would become Thomas Rood.

Thomas grew up in a human home where he didn’t seem to do things in a “normal” manner. When he met a girl named Tamburlaine his world suddenly became even more interesting. Thomas and Tamburlaine shared a secret of their true identities. How will the two ever get back to Fairyland, the place they longed to be?

Author Catherynne M. Valente has created a story that mimics tales of the old Victorian days. The characters are delightful and the adventure is fanciful and rhythmic. Young readers will be engaged and eager to read more. Parents and teachers will want use this tool as a read-aloud project to be shared with students or family.

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Senin, 01 Oktober 2012

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  • Sales Rank: #5228231 in Books
  • Published on: 2013-10-01
  • Original language: English
  • Dimensions: 8.62" h x .71" w x 8.62" l, .0 pounds
  • Binding: Paperback

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