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In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own.
Starting with opera's arrival in America in the early nineteenth century, Davis shows how American singers grew in sophistication and stature along with the country. From the nineteenth-century pioneers who crashed the gates of Europe's elite opera circles, to the glamorous singers of the early twentieth century who were also Hollywood stars and publicity magnets, to the highly professional singers since World War II who not only have gained European acceptance but now dominate the industry, this lively and highly readable account chronicles the extraordinary lives and adventures of these larger-than-life personalities. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage.
Full of prima-donna antics, hilarious backstage anecdotes, and performance lore, The American Opera Singer will delight anyone who has felt the magic of opera, and will provide a new canon of American singing sure to provoke spirited debate among aficionados.
Trained as a musician and composer, Peter G. Davis has been writing about music for over thirty years in such publications as the New York Times, The Times of London, High Fidelity, and Opera News. He is currently music critic for New York magazine and lives in New York City.
Experience the artistry of America's supremely talented singers on RCA Victor Red Seal's The American Opera Singer, a companion 2-CD set to this book, now available in record stores.
From the Hardcover edition.
- Sales Rank: #1193774 in Books
- Color: Other
- Published on: 1999-03-16
- Released on: 1999-03-16
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.25" w x 5.25" l, 1.83 pounds
- Binding: Paperback
- 640 pages
Features
- ISBN13: 9780385421744
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Review
Advance Praise for The American Opera Singer:
"What a pleasure to read The American Opera Singer, a rare study based not on breathless sycophancy but on organized concern. And what a good writer he is, Peter G. Davis, with his long experience as major critic and historian....The book is in a class by itself."
--Ned Rorem, composer and author
"Peter G. Davis has long been regarded as one of America's most astute, most literate and most fearless music critics....In The American Opera Singer he reveals himself as a superb historian....Much has been written over the decades about individual American singers, but nothing to my knowledge can compare with the breadth of Davis's sweeping panorama."
--Martin Bernheimer, Pulitzer Prize-winning former chief music critic for the Los Angeles Times
"Peter G. Davis has told the tale with a wry wit, an eye for the telling detail, a nose for the relevant fact, and an ear for the sound of a voice. For all who are interested in our cultural identity, this book will be indispensable for decades to come."
--Conrad L. Osborne, music critic
"That Mr. Davis is a brilliantly informed, always scintillating and occasionally stroke-inducing critic makes The American Opera Singer essential for the opera lover. But I bet anyone who can read will find it impossible to put down."
--Albert Innaurato, playwright and music writer
From the Hardcover edition.
From the Inside Flap
In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own.
Starting with opera's arrival in America in the early nineteenth century, Davis shows how American singers grew in sophistication and stature along with the country. From the nineteenth-century pioneers who crashed the gates of Europe's elite opera circles, to the glamorous singers of the early twentieth century who were also Hollywood stars and publicity magnets, to the highly professional singers since World War II who not only have gained European acceptance but now dominate the industry, this lively and highly readable account chronicles the extraordinary lives and adventures of these larger-than-life personalities. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage.
Full of prima-donna antics, hilarious backstage anecdotes, and performance lore, "The American Opera Singer will delight anyone who has felt the magic of opera, and will provide a new canon of American singing sure to provoke spirited debate among aficionados.
Trained as a musician and composer, Peter G. Davis has been writing about music for over thirty years in such publications as the "NewYork Times, The Times of London, High Fidelity, and "Opera News. He is currently music critic for "New York magazine and lives in New York City.
Experience the artistry of America's supremely talented singers on RCA Victor Red Seal's "The American Opera Singer, a companion 2-CD set to this book, now available in record stores.
"From the Hardcover edition.
From the Back Cover
In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage.
Most helpful customer reviews
17 of 22 people found the following review helpful.
A hard-nosed look at singing and singers
By james s. calvert, jr.
This book is not for the faint-hearted, nor is it for those who cannot abide anything other than unadulterated praise for their pet singers. Peter G. Davis has long been one of most brutal, but often insightful, of American critics, as those who read "New York" magazine will know. Both the brutality and the insight are on display here.
Davis provides a fascinating and comprehensive review of the "American" singer - which is limited not just to native-born Americans and Canadians, but also to foreign-born singers like Caruso and Pons whose careers were centered in the U.S. and who in some way had a major impact on the American operatic consciousness. In these pages, I encountered many singers of whom I had previously been unaware, particularly from years past. For the open-minded reader, there is a great deal to learn here.
There is also a great deal to infuriate fans of certain singers of the recent past. Beverly Sills, for example, comes in for some pretty rough treatment. But in this reader's opinion, Davis is right on the mark with his assessment of Sills' voice and career. Davis is absolutely right in his assertion that Sills was, by nature, a light lyric soprano and that she sang at her best in this repertoire. Only the most gushy, stars-in-the-eyes fan would deny that Sills' voice began to take a crash-dive after she started singing the heavy bel canto repertoire in the early 70's, or that many of her later recordings are marred by excessive vibrato and shrill, wobbly high notes - it's all there to hear. Indeed, the whole of Davis' book takes Sills to task for her ridiculous, self-serving assertions that before her career, American singers "didn't get no respect" or that she was some kind of trail-blazer. Dozens of great American singers had done it all before her. Similarly, Davis' unflattering remarks on Leontyne Price's later singing may not be particularly gallant, but they are accurate.
Davis is generous with praise, where he thinks it is deserved, which is often. But like any good - or honest - critic, he considers the bad along with the good. I found this book continually fascinating and a source of much information. I recommend it highly to inquiring minds.
12 of 15 people found the following review helpful.
Comprehensive and opinionated
By klavierspiel
Peter G. Davis' definition of "American" in this volume is quite broad, encompassing singers born abroad who made a significant contribution to the American operatic scene, as well as native-born artists who, for one reason or another, spent much of their artistic lives overseas. Thus, he discusses singers as diverse as Callas and Sills, Astrid Varnay and Helen Traubel, Claire Watson and Roland Hayes. With singers whose most significant career contributions took place outside the U.S., such as Callas and Varnay, Mr. Davis takes pains to show what role their American years and appearances played in their artistic lives.
The scope and detail of the book is its strength, particularly the early chapters, which deal with many singers about whom detailed information would be difficult to obtain elsewhere. I particularly appreciated the chapter detailing the tortuous progress of the African-American opera singer in the American musical landscape.
Mr. Davis is forthright and uncompromising in his opinions, which is the cause of the low ratings this book has received from reviewers on this site whose favorite singers have been singled out for rough treatment. What these fans seem not to have noticed is his even-handedness, even with those he criticizes. I happen to agree, for example, that Leontyne Price probably made a more significant contribution to the operatic art on recordings than in live performance. If one can get beyond knee-jerk reactions to this or that assessment, however, there is much of value here. His writing style is polished without being pretentious. This is a book that should be read in tandem with John Dizikes' Opera in America for a full portrait of this art form since its inception in the United States.
1 of 1 people found the following review helpful.
Exceptional
By Diarci
Aside from providing an immense amount of information about many early singers I (and probably you) was unaware of, Peter Davis' writing style is clean and moves crisply. Oddly, the book becomes marginally less interesting as it reaches the present day, probably because present day singers are less individual and less interesting. All the expected singers are covered - Mary Garden, Geraldine Farrar, Rosa Ponselle, Lawrence Tibbett - but it's the stories of the nineteenth century divas that fascinate.
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